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Strategies of political theatre : post-War British playwrights /

By: Patterson, Michael.
Series: Cambridge studies in modern theatre.Publisher: Cambridge ; New York : Cambridge University Press, 2003Description: xviii, 232 p. ; 24 cm.Content type: text Media type: computer Carrier type: online resourceISBN: 9780521277327 (pbk.); 9780521277327:.Subject(s): English drama -- 20th century -- History and criticism | Politics and literature -- Great Britain -- History -- 20th century | Politics and literature -- Great Britain | Theater -- Political aspects -- Great Britain -- History -- 20th century | Political plays, English -- History and criticismDDC classification: 822.91409358
Contents:
Strategies of political theatre : a theoretical overview -- 'Reflectionist' strategy : 'kitchen sink' realism in Arnold Wesker's Roots (1959) -- 'Interventionist' strategy : poetic politics in John Arden's Serjeant Musgrave's Dance (1959) -- Dialectics of comedgy : Trevor Griffith's Comedians (1975) -- Appropriating middle-class comedy : Howard Barker's Stripwell -- Staging the future : Howard Breton's The Churchill Play (1974) -- Agit-prop revisited : John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973) -- Brecht revisited : David Hare's Fanshen (1975).
Rewriting Shakespeare : Edward Bond's Lear (1971) -- Stragegy of play : Caryl Churchill's Cloud Nine (1979).
Summary: Providing a theoretical framework for some of the most important post-war playwriting in Britain, the author examines plays by Arden, Griffith & Brenton, among others, analysing their respective strategies for persuading audiences of the need for a radical restructuring of society.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
Standard Loan Standard Loan ATU Sligo Yeats Library Main Lending Collection 822.91409358 PAT (Browse shelf(Opens below)) 1 Available 0058031
Total holds: 0

Includes bibliographical references (p. 202-222) and index.

Strategies of political theatre : a theoretical overview -- 'Reflectionist' strategy : 'kitchen sink' realism in Arnold Wesker's Roots (1959) -- 'Interventionist' strategy : poetic politics in John Arden's Serjeant Musgrave's Dance (1959) -- Dialectics of comedgy : Trevor Griffith's Comedians (1975) -- Appropriating middle-class comedy : Howard Barker's Stripwell -- Staging the future : Howard Breton's The Churchill Play (1974) -- Agit-prop revisited : John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973) -- Brecht revisited : David Hare's Fanshen (1975).

Rewriting Shakespeare : Edward Bond's Lear (1971) -- Stragegy of play : Caryl Churchill's Cloud Nine (1979).

Providing a theoretical framework for some of the most important post-war playwriting in Britain, the author examines plays by Arden, Griffith & Brenton, among others, analysing their respective strategies for persuading audiences of the need for a radical restructuring of society.

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