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Thinking through craft /

By: Adamson, Glenn.
Publisher: Oxford ; New York : Berg, 2007Description: x, 209 p., 16 p. of plates : ill. (some col.) ; 25 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 1845206460 (hbk.); 9781845206468:; 1845206479 (pbk.); 9781845206468 (hbk.); 9781845206475 (pbk.).Subject(s): Art -- Technique | Handicraft | WorkmanshipDDC classification: 745.5
Contents:
Craft at the limits -- Craft as a process -- Supplemental -- Homage to Brancusi -- Wearable sculptures : modern jewelry and the problem of autonomy -- Reframing the pattern and decoration movement -- Props : Gijs Bakker and Gord Peteran -- Material -- Ceramic presence : Peter Voulkos -- Natural limitations : Stephen De Staebler and Ken Price -- Crawling through mud : Yagi Kazuo -- The materialization of the art object, 1966-72 -- Breath : Dale Chihuly and Emma Wooffenden -- Skilled -- Circular thinking : David Pye and Michael Baxandall -- Learning by doing -- Thinking in situations : Josef Albers - from the Bauhaus to Black Mountain -- Charles Jencks and Kenneth Frampton : the ad hoc and the tectonic -- Conclusion : skill and the human condition -- Pastoral -- Regions apart -- Two versions of pastoral : Phil Leider and Art Espenet Carpenter -- North, south, east, west : Carl Andre and Robert Smithson -- Landscapes : Gord Peteran and Richard Slee -- Amateur -- "The world's most fascinating hobby" : Robert Arneson -- Feminism and the politics of amateurism -- Abject craft : Mike Kelley and Tracey Emin -- Conclusion.
Summary: This book provides an introduction to the way that artists working in all media think about craft. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
Standard Loan Standard Loan ATU Sligo Yeats Library Main Lending Collection 745.5 ADA (Browse shelf(Opens below)) 1 Available 0076814
Total holds: 0

Includes bibliographical references (p. [171]-201) and index.

Craft at the limits -- Craft as a process -- Supplemental -- Homage to Brancusi -- Wearable sculptures : modern jewelry and the problem of autonomy -- Reframing the pattern and decoration movement -- Props : Gijs Bakker and Gord Peteran -- Material -- Ceramic presence : Peter Voulkos -- Natural limitations : Stephen De Staebler and Ken Price -- Crawling through mud : Yagi Kazuo -- The materialization of the art object, 1966-72 -- Breath : Dale Chihuly and Emma Wooffenden -- Skilled -- Circular thinking : David Pye and Michael Baxandall -- Learning by doing -- Thinking in situations : Josef Albers - from the Bauhaus to Black Mountain -- Charles Jencks and Kenneth Frampton : the ad hoc and the tectonic -- Conclusion : skill and the human condition -- Pastoral -- Regions apart -- Two versions of pastoral : Phil Leider and Art Espenet Carpenter -- North, south, east, west : Carl Andre and Robert Smithson -- Landscapes : Gord Peteran and Richard Slee -- Amateur -- "The world's most fascinating hobby" : Robert Arneson -- Feminism and the politics of amateurism -- Abject craft : Mike Kelley and Tracey Emin -- Conclusion.

This book provides an introduction to the way that artists working in all media think about craft. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion.

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