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Feminism at the movies : understanding gender in contemporary popular cinema /

Contributor(s): Stringer, Rebecca | Raner, Hilary.
Publisher: Oxon ; New York : Routledge, 2011Description: ix, 310 p. : ill., plates ; 23 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780415895873 (hbk : alk. paper); 9780415895873:; 0415895871 (hbk : alk. paper); 9780415895880 (pbk : alk. paper); 041589588X (pbk : alk. paper).Subject(s): Feminism and motion pictures | Feminist films -- History and criticism | Women in motion pictures | Masculinity in motion pictures | Sex role in motion pictures | Motion pictures for women -- United StatesDDC classification: 791.436522
Contents:
Introduction. "Re-vision"?: feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer -- Masculinity in question. "The first bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A single man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstructions of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after new queer cinema / Gary Needham -- New feminine subjects: a space for women? Enchanted (2007) by postfeminism / Yvonne Tasker -- Neoliberal femininity in Miss congeniality (2000) / Yael D. Sherman -- Girls' sexualities in The sisterhood of the traveling pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed -- again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend it like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 going on 30 (2004) / Hilary Radner -- Consuming culture(s). -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the city: the movie (2008) / Peter Stapleton -- Independence at what cost? Economics and female desire in Nicole Holofcener's Friends with money (2006) / Michele Schreiber -- The feminist poetics of Sophia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christina Lane and Nicole Richter -- Relationships, identity and family. "Eggs in many baskets": Juno (2007), Baby mama (2008) and the new intimacies of reproduction / Jane Maree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride wars (2009), wedding envy and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the worlds (2005) / Hannah Hamad -- Gender and violence. Kinship and racist violence in Gina Prince-Bythewood's The secret life of bees (2008) / Ewa Ziarek -- From victim to vigilante: gender, violence and revenge in The brave one (2007) and Hard candy (2005) / Rebecca Stringer -- "When the woman looks": High tension (2003) and the horrors of heteronormativity / Barry Keith Grant.
Summary: An examination of the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over 20 popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
Standard Loan Standard Loan ATU Sligo Yeats Library Main Lending Collection 791.436522 RAD (Browse shelf(Opens below)) 1 Available 0075296
Total holds: 0

Includes bibliographical references and index.

Introduction. "Re-vision"?: feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer -- Masculinity in question. "The first bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A single man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstructions of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after new queer cinema / Gary Needham -- New feminine subjects: a space for women? Enchanted (2007) by postfeminism / Yvonne Tasker -- Neoliberal femininity in Miss congeniality (2000) / Yael D. Sherman -- Girls' sexualities in The sisterhood of the traveling pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed -- again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend it like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 going on 30 (2004) / Hilary Radner -- Consuming culture(s). -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the city: the movie (2008) / Peter Stapleton -- Independence at what cost? Economics and female desire in Nicole Holofcener's Friends with money (2006) / Michele Schreiber -- The feminist poetics of Sophia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christina Lane and Nicole Richter -- Relationships, identity and family. "Eggs in many baskets": Juno (2007), Baby mama (2008) and the new intimacies of reproduction / Jane Maree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride wars (2009), wedding envy and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the worlds (2005) / Hannah Hamad -- Gender and violence. Kinship and racist violence in Gina Prince-Bythewood's The secret life of bees (2008) / Ewa Ziarek -- From victim to vigilante: gender, violence and revenge in The brave one (2007) and Hard candy (2005) / Rebecca Stringer -- "When the woman looks": High tension (2003) and the horrors of heteronormativity / Barry Keith Grant.

An examination of the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over 20 popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films.

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