Foreword / Keith Brymer Jones -- Introduction -- Akiko Hirai Collingwood -- Akio Nukaga -- Alana Wilson -- Alexandra Standen -- Alison Fraser -- Andrei Davidoff -- Anna-Karina -- Anna Lerinder -- Ashraf Hanna -- Brigitte Colleaux -- Cécile Daladier -- Claire Johnson -- Dawn Vachon -- Derek Wilson -- Florian Gadsby -- Frances Palmer -- Georgia Harvey -- Giselle Hicks -- Guy Van Leemput -- Hannah Lawrence -- Holly Macdonald -- Jeremy Simons -- Jessilla Rogers -- Jono Smart -- Julie Pennington -- Katia Carletti -- Katie Jacobs -- Keiko Matsui -- Kira Ni -- Linda Lopez -- Lucile Sciallano -- Lynda Draper -- Madeleine Preston -- Maria de Haan -- Maryam Riazi -- Milly Dent -- Mizuyo Yamashita -- Rachel Boxnboim -- Ruby Pilven -- Sean Gerstley -- Sophie Harle -- Sophie Moran -- Steen Ipsen -- Stine Dulong -- Susan Robey -- Tania Rollond -- Tara Burke -- Tessy King -- Thérèse Lebrun -- Tracy Muirhead -- Ulrica Trulsson -- Valerie Restarick -- Vipoo Srivilasa.

Once upon a time pottery schools saw an increase in enrolments whenever the film Ghost aired on television. Today it is all year round. Not since the 1970s has there been this level of interest and appreciation for pottery and ceramics. The return to the handmade has been driven by our increasingly digital lives and there are now more makers, sellers and collectors than ever. There is also a new desire for unique objects made by hand and the imperfections associated with the marks of the maker. Pottery is the vehicle that most aptly captures this authenticity. From decorative pieces to the primarily functional to sculptural works pushing the boundaries of the medium, 'Clay' surveys the richly creative output of over 50 studio potters from around the world.