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Art and objecthood : essays and reviews /

By: Fried, Michael.
Publisher: Chicago : University of Chicago Press, 1998Description: xviii, 333 p. : ill. (some col.) ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 0226263185 (cloth : alk. paper); 9780226263199:; 9780226263182 (cloth : alk. paper); 0226263193 (pbk. : alk. paper); 9780226263199 (pbk. : alk. paper).Subject(s): Art, Modern -- 20th century | ArtDDC classification: 709.04
Contents:
Shape as form: Frank Stella's irregular polygons -- Morris Louis -- Jules Olitski -- Art and objecthood -- New work by Anthony Caro -- Ronald Davis: surface and illusion -- Two sculptures by Anthony Caro -- Recent work by Kenneth Noland -- Caro's abstractness -- Problems of polychromy: new sculptures by Michael Bolus -- Larry Poon's new paintings -- Anthony Caro's table sculptures, 1966-77 -- Three American painters: Kenneth Noland, Jules Olitski, Frank Stella -- Anthony Caro -- Frank Stella -- New York letter: Oldenburg, Chamberlain -- New York letter: Louis, Chamberlain and Stella, Indiana -- New York letter: Warhol.
New York letter: Johns -- New York letter: Hofmann -- New York letter: Noland, Thiebaud -- New York letter: Hofmann, Davis -- New York letter: Kelly, Poons -- New York letter: Judd -- New York letter: De Kooning drawings -- New York letter: Olitski, Jenkins, Thiebaud, Twombly -- New York letter: Brach, Chamberlain, Irwin.
Summary: Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
Standard Loan Standard Loan ATU Sligo Yeats Library Main Lending Collection 709.04 FRI (Browse shelf(Opens below)) 1 Available 0068910
Total holds: 0

Mainly reprints of the art criticism written by the author between 1961 and 1977.

Includes bibliographical references (p. 327-330) and index.

Shape as form: Frank Stella's irregular polygons -- Morris Louis -- Jules Olitski -- Art and objecthood -- New work by Anthony Caro -- Ronald Davis: surface and illusion -- Two sculptures by Anthony Caro -- Recent work by Kenneth Noland -- Caro's abstractness -- Problems of polychromy: new sculptures by Michael Bolus -- Larry Poon's new paintings -- Anthony Caro's table sculptures, 1966-77 -- Three American painters: Kenneth Noland, Jules Olitski, Frank Stella -- Anthony Caro -- Frank Stella -- New York letter: Oldenburg, Chamberlain -- New York letter: Louis, Chamberlain and Stella, Indiana -- New York letter: Warhol.

New York letter: Johns -- New York letter: Hofmann -- New York letter: Noland, Thiebaud -- New York letter: Hofmann, Davis -- New York letter: Kelly, Poons -- New York letter: Judd -- New York letter: De Kooning drawings -- New York letter: Olitski, Jenkins, Thiebaud, Twombly -- New York letter: Brach, Chamberlain, Irwin.

Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views.

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