| 000 | 01419cam a2200385 a 4500 | ||
|---|---|---|---|
| 001 | 514017 | ||
| 003 | OCoLC | ||
| 005 | 20210921175001.0 | ||
| 008 | 050413r20062005nyu f b 000 0 eng | ||
| 020 | _a1854598031 (Hern) | ||
| 020 |
_a9781854598035: _c£12.99 |
||
| 020 | _a0878302069 | ||
| 020 | _a0878302050 | ||
| 024 | 3 | _a9781854598035 | |
| 035 | _a(OCoLC)60514017 | ||
| 040 |
_aUKM _cUKM _dDLC _dBWKUK _dBAKER _dYDXCP _dBTCTA |
||
| 082 | 0 | 0 |
_a792.028 _bMOS |
| 100 | 1 |
_aMoseley, Nick., _d1962- _941765 |
|
| 245 | 1 | 0 |
_aActing and reacting : _btools for the modern actor / |
| 260 |
_aNew York : _bRoutledge ; _aLondon : _bNick Hern Books, _c2006. |
||
| 300 |
_a202 p. ; _c23 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 504 | _aIncludges bibliographical references (p. 199). | ||
| 520 | 8 | _aNick Moseley takes the best of Stanislavski, Mamet and Meisner to fuel an intensely practical approach. Starting with the technique of transactional improvisation he covers a range of central acting ideas and includes games and exercises designed to stretch and challenge the actor at each stage. | |
| 650 | 0 |
_aActing _xTechnique |
|
| 650 | 0 | _aActing. | |
| 650 | 0 |
_aActors _xTraining of. |
|
| 902 | _a131002 | ||
| 907 |
_a.b10488212 _bsmmai _c- |
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| 942 | _n0 | ||
| 948 | _hNO HOLDINGS IN LQI - 141 OTHER HOLDINGS | ||
| 998 |
_b0 _c061219 _dm _ea _g0 |
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| 999 |
_c46025 _d46025 |
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